Ironically, two films recently screened in San Francisco offer such radically different perspectives on Africa that their juxtaposition is worth noting. One was decidedly old school; the other a fascinating documentary about one of Africa's most controversial musicians.
Even I had to admit, as fascinated as I was about Africa, that I feared it more and had no urgent desire to visit the land in which society tells me I am a descendent of. Fear of the unknown had wiped away any desire in me that might have been fostered.
Despite naysayers from all sides, Sean Strub and his collaborators believed those of us living with HIV/AIDS deserved a magazine that offered us hope, provided us with information we needed to stay healthy and celebrated our lives by telling our stories.
The use of silence and stillness is nothing new to concert dance. It has been used for decades, often for the very purpose of subverting audience expectations. It has the power to draw our attention to our breath, to our body, and to our impulses.
I love dancers' parties. The floor's full and no one's drunk, with every style and move you can think of unleashed, celebrated, spun, from electric boogaloo to sixties go-go to glam jazz to the running man.
The opportunity to bring together the highly trained dancers of Jones's company with the gifted actors of Bogart's troupe allowed for a collaboration that could recapture the visceral, interdisciplinary action of the original Rite.
There are sentimentalists out therehappy to spend much of the Christmas season looking for It's a Wonderful Life screenings. For them, Anthony E. Palermo has adapted the beloved screenplay as a one-hour radio play.
Harvey was best known as the inspirational leader who turned the Brooklyn Academy of Music into one of the great arts institutions of the nation. Before becoming an arts manager, he was a dancer who collaborated with choreographers like Merce Cunningham, Eliot Feld, Bill T. Jones and Pina Bausch.
Sixteen years ago, Santa Fe had a vision to establish a contemporary art museum with the focus of bringing contemporary art to the city with an accompanying biennial. In 2008, Denver decided to join the biennial craze.