Some plays need to look as if they're being performed with absolutely no effort whatsoever. They must seem merely tossed off. That's the fun of them. Perhaps the most famous example is Private Lives, the jazzy romantic comedy Noel Coward wrote in 1930.
Two plays -- one I love, and one I've never liked -- are currently running in repertory on Broadway at the tiny jewel-box called the Cort Theatre.
Not everyone seemed to share my excitement. At least not in a positive way. Twitter and Facebook seemed to explode with negative comments before the first commercial break.
To paraphrase Shakespeare: "The set's the thing." That sums up the Pearl Theatre's final production this season, And Away We Go, in which audiences are taken on a quick ride through the theatrical canon.
The current Broadway revival at the Cort Theater of Waiting For Godot is never less than riveting. That's thanks to the extraordinary chemistry between Ian McKellen as Estragon and Patrick Stewart as a determined, upbeat Vladimir/Didi.
When I moved to New York City in the late 80s to attend a musical theater school, I could never get over the fact that all across the city, magic was occurring in numerous Broadway theater houses each night.
Whatever your reactions to any particular element (most everyone agrees Twelfth Night is the triumph for Rylance while opinion is divided on these two), it's safe to say these are "events" in the best sense of the word, nights of theater you want to see and judge for yourself.
If you're in New York, you owe it to yourself to see the sexiest, most mind-blowing night of singing and sin you'll ever experience.
She's a Tony Award-winner, a TV star, a celebrated singer/performer with commanding vocals, and, apparently, a woman who loves horses. This is Be...
The pairing of No Man's Land with Godot is a stroke of genius, bringing the two masters of comedic and enigmatic incomprehension, Pinter and Beckett, to the stage in alternating performances that underscore the affinity between them.
It's a good-natured show brimming with some of the shakiest British accents this side of Dick Van Dyke. But the musical numbers by Lionel Bart couldn't be catchier and it's one of the handsomest productions the Papermill has ever created.
In busy spells -- which in the Broadway arena typically include the two weeks before Thanksgiving and the month before the various award deadlines in the spring -- it is not uncommon for critics and award nominators to find themselves at five or six a week. Eighteen in 16, though, is overdoing it.
There are moments in all parents' lives when they just can't figure out what to get their children and leaning on a big name retailer to pull a rabbit from a hat for them only adds to the frustration despite the helpful lists these retailers strive to provide.
Mayor-elect de Blasio has already made that commitment a mainstay of his upcoming Administration. It's a commitment that he knows can reap huge economic returns for the city.
Now, any member of the GLBT community worth their salt knows Linda Eder: you see, we still establish the Divas. Many books have been written about the cultural reasonings for this but let's just take it as fact: the GLBT community still is able to make stars.
On November 27th, Disney fans will know Jonathan from his portrayal as Kristoff, the rugged mountain man, in Frozen.