Released in 1940, Pinocchio (Walt Disney's second animated feature film) includes some sequences that could easily terrify small children (little boys...
The Joel and Ethan Coen's movie spoof on Hollywood types, "Hail, Caesar!," is ripe with dozens of wink-wink-nudge-nudge Easter Eggs and references to real-world Hollywood scandals and events from the Golden Age of the Silver Screen. If you know what to look for, you'll find enough Tinseltown references and mashups to fill the Hollywood Bowl. So let's get digging, shall we?
The Coen brothers are always interesting, their cinematic choices bold and featuring hidden messages. Hail, Caesar! is no different; there are so many sub-themes and inside jokes in the film, it would take at least three viewings to get about half of them.
Light hearted, wink and nod, middling Coen Brothers Hollywood hijinks are still worth the watch! Clearly this is no country for serious men. . . farg...
The Coens' latest film Hail, Caesar! has the brothers returning to some of their favorite territory: kidnappings, old Hollywood, and the screwball comedy. And, as usual, it's a Coen brothers film through and through.
A kinder, gentler and mostly out of sight Ricky Gervais held forth at this year's Golden Globe Awards on NBC with a bunch of surprise winners along with the expectations of lots of pundits. It moved relatively swiftly, especially towards the end when it ran overtime, but as entertainment it was mostly so-so.
For me, The Hateful Eight was a mixed bag. The performances are first-rate, though the music was overly heavy at times and it occasionally worked against what was happening by overpowering it to make it appear that more was happening than actually was.
The eight gunslingers in Quentin Tarantino's The Hateful Eight really are hateful, so why do we like watching them so much, and so long -- 3-and-a-half hours -- give or take, including an overture and intermission.
The vision came from the tribal healers themselves, as RUNA CEO Tyler Gage explained, "They came to us and said 'We're disappearing, and our knowledge...
America has 8 million animals in their shelters, and only half of those make it out alive. Troubling statistics like these, which only seem to multiply each year, were enough to keep Emmy nominated producer, and avid dog-loving activist, Michael Levitt awake at night.
This film is evidence that the days of Hollywood catering to a image of sad-eyed little girls who can only enjoy fairy tales and puppies are over, and women are finally going to be getting a little bit more of what we want.
Magic Mike XXL works because the comedy is placed in the right moments and when it is time to "Take It Off!", the comedy is dropped and sheer passion oozes from the screen. Seconds? Count me in!
Alas! how dreary would be the world if America were not exceptional. It would be as dreary as if there were no Washingtons. There would be no torch of liberty, no shining city on a hill, no Channing Tatum.
When almost everyone who decides which movies get made are men, and men are the ones writing and directing all of the stories, even stories supposedly about women, we women lose sight of what it looks, feels and sounds like to have our stories told from our perspective.
Of course, since this is a Wachowski offering, the visuals are frequently stunning in an overwhelming manner, and scene after scene is quite entertaining. There is a problem, though, with the casting.
Unfortunately for the filmmakers, the audience, and (given the $175 mil price tag) the studio, Jupiter Ascending isn't exactly the second coming they were hoping for. Instead, it's a melange of misplaced ambition that's asphyxiated by tangled plot threads that are at once overcooked and undernourished.