One of the Broadway season's very highest lights, the George S. Kaufman-Moss Hart You Can't Take It With You remains brightly illuminated now that replacements Richard Thomas and Anna Chlumsky have joined the hilariously accomplished ensemble under Scott Ellis's eloquent direction.
Look closely and you'll find proponents who keep tradition alive for the faithful, and with the foresight of knowing that what's old will someday be new once again. Gianni Valenti and Jim Caruso are living this daily at cabaret club, Birdland.
Is there a road map that guides us to an understanding of each other? Gena Rowlands and Cheyenne Jackson find themselves at odds across a dance floor until the dance lessons themselves bring these two difficult people together as they co-star in Six Dance Lessons in Six Weeks.
Tank Burt is no stranger to the intimacy of the unsaid. As a director she's been honing her craft with shorts like Skateboard, Skateboard, a coming-of-age story told virtually without dialogue, and now she's made her feature debut as an actress.
Frank Loesser disliked repeating himself. When he produced book, music and lyrics for The Most Happy Fella in 1956, he decided to go operatic. Not all the way, but more than he ever had before -- "My Time of Day" from Guys and Dolls, notwithstanding.
"it's a timeless story. Different classes, different backgrounds all of that stuff rings true and always will. And the fact that I'm going to be representing Tony for a lot of folks is not lost on me."