I love to watch rehearsals: there's just something about seeing people process, collaborate, make mistakes, and work through them. So when Sheena Annalise, director of Arch Contemporary Ballet, invited me to take a look at her company's newest work Château, I opted to see it in progress, with all the parts still coming together.
It all stems from a fascination with our relationship to movement. When Siobhan 'Sue' Davies CBE took her first steps on the dance stage at 17, no one assumed that the art student had never danced before. But the lack of a classical education was more freeing than restrictive, allowing her to perform and choreograph however she saw fit.