The exhibit at the Metropolitan Museum of Art John Singer Sargent: Portraits of Artists and Friends is in its final days, ending October 4th. I was fortunate to be invited to give two talks during the exhibit examining Sargent's work from an artist perspective.
"Sargent: Portraits of Artists and Friends," currently showing at the Met, is a virtual vade mecum of l9th European culture, as seen from the perspective of the great and often quirky transatlantic portraitist. There is Ellen Terry as Lady Macbeth (1889) and a sketch of Yeats (1908).
Every city has the one hotel whose fortunes have run parallel to the local economy and history. The owners and operators of these hotels are merely curators as the properties pass through decades and centuries of hospitality.
The Musee D'Orsay and Jeu de Paume in Paris have many masterpieces of impressionism on their walls. Claude Monet's gardens in Giverny, just outside Paris have his masterpieces growing and living year round. This is why I travel.
All the visual arts use light in some form, but in artist Christine Sciulli's new piece, Languid, on view at the Governor's Island Art Fair, light is the graphic kinetic tool with which she activates and shapes space.
Impressionism, Fashion, and Modernity at the Metropolitan Museum of Art displays how master painters (mavericks in their day) created magical gardens -- and gowns -- using relationships between light and dark color.
I've been a fan of Yerpe's extremely cool -- one might say icily cool -- work since I first saw it in 2009. For me, a lot of what makes art good is the degree of interesting thinking I have in response to viewing it.