A funny thing happened while I was on my way to success, I realized that no one would ever be able to do EXACTLY what I do and vice-versa. That idea was a game-changer. I no longer had to be afraid of anyone in my industry and in-fact, making them allies was going to grow my network a thousand fold now that I was clear on WHO I was in business.
The French have been reading the tea leaves. Despite or perhaps because of recent violence, there seemed a new spirit of generosity towards tourists, if not to migrants. So many Americans are trooping off to art fairs. Why not also visit the most exciting performance festivals, many in France, which have a multicultural, often political, contemporary perspective? And a spate of private, hidden-away sites has also opened to the public which document the intensity of the lives and work of artists.
There are four basic ways people can deal with conflict at different times - competition, avoidance, accommodation and collaborative problem-solving. These strategies depend on the level of concern people in dispute have for their own outcome vis-à-vis the other party's outcome. (It's called the Dual Concern Model.)
When I started out as a singer/songwriter, the last thing I wanted to do was collaborate. I saw it as a sign of weakness, the inability to do it on your own. My musical heroes were all solo artists - people like Neil Young, Bob Dylan, Guy Clark, John Prine - one man alone in the spotlight. They were like Marlboro Men with guitars.