This September I turn 60. As I enter The Final Third, I find myself dumbfounded about where the last 60 years have gone, and driven to take stock and sort it all out. In addition, I want to hedge my bets for the next 30. With nothing really big calling my name, I don't have much of a bucket-list. All I know is that I want to keep going and keep learning.
With Washington's return to The Great White Way in the revival of Lorraine Hansberry's 1959 A Raisin in the Sun at the Barrymore, he does a tremendous favor. Once again, as he did with his limited-runs Julius Caesar and Fences, he brings large audiences--especially African-American audiences--to a theater and to theater in the larger sense.