On the occasion of my friend Micki Pellerano's solo show at American Medium in Brooklyn, I spoke to him about the things that matter to him: drawing, growing down, experiencing pain, pop music and of course love.
The 114th Annual Student Exhibition at the Pennsylvania Academy of the Fine Arts (PAFA) kicks off Friday night. For weeks, 85 graduate and undergraduate students have been feverishly finishing and framing nearly 1,000 artworks in their studios.
With all the pushback these days against standardized testing, and with so much talk about how kids from different backgrounds learn differently, you'd think we'd have a country sprinkled with schools that dedicate themselves to injecting the arts into education.
Pricing art is always tricky, especially for new artists who don't have a track record. Once you have had the chance to sell your work in a number of contrasting venues, you'll develop a stronger awareness of what's appropriate.
Amy Adler's latest project, "Location," which is currently on view at ACME in Los Angeles, includes large scale oil pastel drawings created from photographs she took while scouting for a film, that may or may not ever be made.
"Nicholas, did you do this?" I exclaimed. He smiled and nodded. "It's fantastic! I love it. This part looks like the Empire State Building," I said, perhaps a little too eagerly. He peered at it closely, then shrugged. "Maybe."
I love taking classes. I love learning. Since graduating college, I've signed up for courses all over LA, from UCLA Extension's writing seminars (they're great!) to improv workshops at The Groundlings (good too!). And I won't even get into all the acting classes I have experienced.
Just as Sigmund Freud upended and challenged the way society viewed the psyche and sexuality in fin-de-siècle Vienna -- Schiele reached the same results with emotionally charged works that reflected his inner turmoil, desires, and fantasies.
Long known as an artist with a wide following, Peregrine Honig presents a mutli-fold exhibition of ideas on narcissism, sexuality and identity for her first Kansas City solo exhibition in a decade at Haw Contemporary.
Steven Assael said always to consider the interior of things. He drew a parallel between the literal interior volume of a form, and the internal meaning of art. He said this meaning was a precious liquid, and the artwork itself the vessel.
Leaving at first light with the dew covered drawing machine lashed to the cabins roof we motoring out of Wick Harbor. Soon we were sailing under full sail south bound with an incredible sunrise off our portside.