In contemporary writing for the theater, it can sometimes seem as if there's an undeclared competition to determine which playwright can produce the most dysfunctional American family play out of all the dysfunctional American family plays going.
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Nick Jones could have fooled me -- and he did with Verité, his new comedy(?) at Lincoln Center's Claire Tow. But he didn't fool me for very long.
Jim Jarmusch, the celebrated indie filmmaker gives the vampire genre a clever tweak in his new movie, Only Lovers Left Alive. If you've been around su...
Lola Versus does not pull any punches about the challenges faced by a single woman in her late 20s in the big city.
As everyone is glued to media, watching a real-life revolution disrupt and otherwise transform Egypt, revolutions of a quieter, less violent but power...
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