Of the hundreds of films screened at festivals across the nation only a handful will wind up at your local theatres, and that goes for those lucky enough to have been viewed at the growingly prestigious Tribeca Film Festival (TFF).
I rarely miss either the Sundance or Toronto film festivals each year -- but my relationship with the Tribeca film fest has been spottier. Partly that's due to scheduling: For a variety of reasons, I've been out of town for large chunks of the festival each of the past couple of years.
I've come to admire people, and theater companies, that take the risk. You have to hand it to Elliott -- more than any other major off-Broadway theater company, The New Group consistently produces offbeat works.
Thank the universe for the film Snowpiercer; finally, a dystopian sci-fi movie that someone can gush over, one that leaves a lasting effect and a certain dread in the viewer. Dread, because so much of it rings so true for today's times.
Begin Again comes from writer-director John Carney, who burst forth with Once a few years ago. This film, which stars Keira Knightly and Mark Ruffalo (among others), captures the same blend of wistful emotions and life-affirming musical energy as that 2006 hit.
The Sun Valley Film Festival is young, with an attitude that is reflective of the city. The programming offers a preference for content over tinsel. The third annual film festival is presented this March 13-16.
This Turkey Day happens to land on a criminally and perennially underappreciated actor's birthday: Ed Harris. Main course or side dish, first billing or second fiddle, Ed Harris is a truly gifted actor deserving of more recognition. So let's give it to him.
If you like Southern Gothic with a large helping of murder and mayhem, shrouded in mystery, and expertly acted by an all-star cast of four stage veterans and one newcomer, you won't want to miss Beth Henley's new play The Jacksonian.
The Jacksonian begins with Rosie, wrapped in a blanket, howling that a murder is going to take place. It's immediately followed by Bill, wearing a bloodstained white shirt, entering to scoop ice from a large container.
The much anticipated Rush, Ron Howard's first film since the embarrassing comedy The Dilemma (2011), shows a return to decent form, and again demonstrates why the former child actor remains one of Hollywood's most bankable directors.
When his many legions of fans consider his success, I'm certain there's a consistent thought running through their heads: it couldn't have happened to a nicer guy. Happy Birthday, Tom. Now, here's my personal Hanks list.
This is a pivotal moment in the fight to save wild horses and burros in the West. Science is now firmly on the side of those who want the wild horses managed in the wild, not removed en masse from their homes on the range.
With a $25 million budget that's probably less than what a Transformers sequel spends on fake sweat for Shia LaBeouf, Pain & Gain tells the true story of a trio of Miami weightlifters whose dreams of quick money turned into a crime spree.