Not gimmicky or derivative, it's actually about something we've lost touch with in American culture; perseverance in the face of despair.
Here's the good news: Edge of Tomorrow is not Oblivion redux. But here's the conundrum: As a result, the pendulum may have swung too far in the opposite direction.
Day after day. Over and over again. He can see his demise. But no on else can see theirs. Until....
Over the years, I've developed what I refer to as the 20-minute rule. It basically says that a movie that hasn't hooked me in the first 20 minutes probably isn't going to.
Hollywood's endless revisiting of cherished figures from our past has always been a successful entertainment ploy. And none more so than the current obsession of making every character in a movie a dangerous, sexy twenty-something.
Bringing style to spare the end is an emotional one, surprising and kicks you in the gut all at the same time. I found Looper a great ride that delivers on its promise of being something new.
In the balcony, spirits soared. Indie filmmakers labor long and hard to secure financing for their projects so when it comes time to play, pop those corks!
By arbitrarily inserting token love interests into movies that neither require them nor benefit from them, you not only insult the actresses involved, but harm your own movie in the process.
Looper was selected to open the 2012 Toronto Film Festival. Catch it before all the hype gives away its neighbor grabbing ending.
Is Looper a moving, existential examination of one man confronting the consequences of his actions? Is it a kick-ass, science-fiction thriller that gets considerable, mind-freak mileage from its time-travel scenario? Or is it an overhyped, poorly-plotted bit of pretentious cool?
Rian Johnson's Looper is less an out-and-out original work as a hodgepodge made up from bits and pieces from other iconic science fiction stories stirred into a relatively tasty stew.
As it turns out, "Looper" isn't the "Drive" of 2012. It's better. Rian Johnson's twisty sci-fi thriller (which premieres at the Toronto International ...
With its provocative storyline and immaculately indie street cred, Lynn Shelton's 2009 hit Humpday earned her a load of admirers. With it-girl Emily Blunt headlining her latest effort, Your Sister's Sister, Shelton is likely to break open to an even wider audience
It wasn't supposed to be a sister. In fact, as originally conceived by writer-director Lynn Shelton, Your Sister's Sister could have been titled "Your Sister's Mother."
Your Sister's Sister is the culmination of Shelton's prior feature experience and, also, her work as an experimental filmmaker, actress, improvisor, editor and photographer.
Your Sister's Sister is smart comedy, such a rarity. It never forces laughs but keeps you steadily and regularly amused.