In the balcony, spirits soared. Indie filmmakers labor long and hard to secure financing for their projects so when it comes time to play, pop those corks!
By arbitrarily inserting token love interests into movies that neither require them nor benefit from them, you not only insult the actresses involved, but harm your own movie in the process.
Looper was selected to open the 2012 Toronto Film Festival. Catch it before all the hype gives away its neighbor grabbing ending.
Is Looper a moving, existential examination of one man confronting the consequences of his actions? Is it a kick-ass, science-fiction thriller that gets considerable, mind-freak mileage from its time-travel scenario? Or is it an overhyped, poorly-plotted bit of pretentious cool?
Rian Johnson's Looper is less an out-and-out original work as a hodgepodge made up from bits and pieces from other iconic science fiction stories stirred into a relatively tasty stew.
As it turns out, "Looper" isn't the "Drive" of 2012. It's better. Rian Johnson's twisty sci-fi thriller (which premieres at the Toronto International ...
With its provocative storyline and immaculately indie street cred, Lynn Shelton's 2009 hit Humpday earned her a load of admirers. With it-girl Emily Blunt headlining her latest effort, Your Sister's Sister, Shelton is likely to break open to an even wider audience
It wasn't supposed to be a sister. In fact, as originally conceived by writer-director Lynn Shelton, Your Sister's Sister could have been titled "Your Sister's Mother."
Your Sister's Sister is the culmination of Shelton's prior feature experience and, also, her work as an experimental filmmaker, actress, improvisor, editor and photographer.
Your Sister's Sister is smart comedy, such a rarity. It never forces laughs but keeps you steadily and regularly amused.
t's been a busy month on the culture front; a lot has gone down in the music, theater and film worlds. Magnetic Fields, Silence! The Musical, Newsies, A Midsummer Night's Dream and the Tribeca Film Festival.
Watching the unique story of a complex relationship in the new romantic comedy The Five Year Engagement is a purely pleasurable experience.
In the weekend before the official start of the summer season, four new releases all debuted to numbers ranging from not awful to genuinely awful. The top film this weekend was once again Think Like a Man -- the ensemble romantic comedy has now earned $60 million
The Five-Year Engagement wrings a slightly different change on the old boy-meets-girl formula -- and finds enough big laughs to make the whole thing enjoyable, even if it's never particularly fresh.
I wanted to like this film. I like Jason Segel. And Emily Blunt. But the laughs are spotty and Segel tries sooooo hard. The Five Year Engagement is strained and uneven.
The good news: several of this year's standout films at the Tribeca Film Festival are by women. The bad news: some of the fest's worst misfires are also by women.