If you have something to say...
Say it on the Huffington Post
If you have something to say...
Say it on the Huffington Post
If an artist is not necessarily someone who is lonely, starving and unstable, then what does an artist look like? The new portrait of a profitable, successful artist includes creating and showing, but also travel, community, teaching, authoring, serving and changing the world. And this is one such case.
PARIS -- The Palais Garnier was packed last week for the world premiere of a new production of the ballet "Boléro" co-created by artist Marina Abramo...
I don't know what it is about Melinda Gates, but I have always been intrigued by her. Truthfully, I have not really ever known why. Maybe it's the ...
Anne Harris, "Invisible Girl," 2007, 33 1/2 x 31 inches watercolor (verso) with watercolor, graphite and oil (recto) on frosted mylar "I'm s...
Fifty years ago, Betty Friedan's book, The Feminine Mystique, sparked a women's movement that rocked the world. It was about "the problem that has no name." They didn't know what to call it back then. But today, ask any woman if she's ever felt silenced, and chances are she'll say yes.
While women remained vulnerable on the streets, in contrast, many wielded great power in art, politics and the media -- albeit within the cocoon of the educated classes. 
Julie and Pig Pen. 2012, Courtesy of Catherine Opie and Regen Projects, Los Angeles "It's a very Cathy Opie moment in LA," Catherine Opie says and ...
The women we look up to in the arts -- from New York City Ballet's Wendy Whelan soaring above the stage at Lincoln Center to action hero Elizabeth Streb scaling a building in London -- have their own inspiring heroines, some famous and others less known.
At Craig Krull Gallery in Santa Monica, Astrid Preston's exhibition "New Territory" stands out for a very simple reason: the show is unapologetically ...
Last night, I had the opportunity to see the world premiere of "Mechanics of the Dance Machine," the latest production from Armitage Gone! Dance. In...
Had I seen the best work of my life? No. Did I see a way to get rich by participating? Not at all. Whatever the risk, whatever the benefit, all I knew is that the Fire This Time festival was a place for me.
I consider myself well-educated and self-aware. I wrote a Master's thesis on issues in Women's Studies and kept my maiden name. I assumed I was one of the last people who would unconsciously work harder for a man than a woman.
The Pentagon just announced it's lifting the ban on woman going to the front lines and engaging in hand-to-hand combat. I know this is something that's supposedly good for women, but it's something I have mixed feeling about. Oddly, one of those feelings is gratitude.
Stand before the brilliantly colored abstract paintings of Marilyn Dintenfass and you'll get the creeping sensation that something is awry. 
One of the greatest bits of wisdom I have gained along the way is how essential and precious a long-term bond can be and how much poorer my life would have been without having shared it with my very best friend.
With an infectious joy in her smile and a quirky openness in her dancer's step, Celia Rowlson-Hall radiates a fresh and distinctly female voice in film, with a touch of throwback faithfulness to the classic Hollywood greats.
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