At the finale of Robin Campillo's masterful Eastern Boys, the bourgeois, middle-aged Frenchman, Daniel (Oliver Rabourdin), has overhauled his relationship with the Ukrainian hustler Marek (Kirill Emelyanov) into something totally unexpected.
Chris Mason Johnson's sultry and perfectly human Test enjoyed its European premiere recently at this year's Berlinale. The film is a survivor's tale, told through the POV of a gay character, but so multidimensional that be it man, woman, straight or gay, everyone can relate to its themes.
After I caught actor/director Gerald McCullouch in the Web series Hustling, we struck up an online friendship. I also was able to catch him in a play in New York City this year, and now the openly gay actor has taken on a new project, and I needed to learn more.
Under no circumstances will I call Blue Is the Warmest Color a "lesbian" film. Does that matter? I think so, particularly since the film has generated stories of on-set sadism that smack of over a century of movies made by men well-schooled in the cruel manipulation of women.
By the end of the film, Emma is celebrated at a gallery showing of her artwork; Adele dressed to re-impress, attends, attempts small talk and walks away, alone, not sure of her emotions; she is proud of Emma but is unsure of what that does for her anymore.
What is most interesting is not Michael and Jim's health, home, or poverty but their relationship. The film is not so much a documentary as a portrait -- a diptych -- of two men living together with health issues, trying to make a living together selling clay dolls.
I stopped being an LGBT activist not because my beliefs changed, but for the same reason that someone who's worked at an ice cream parlor for years eventually can't stomach another scoop. So it was with some surprise that I found myself on the board of the Don Thompson Film Festival.
It started to bother me that there were rarely black or Latino males in prevalent roles, and Asian-American males were almost nonexistent in these films. A lesbian or transgender character might be added to the mix in a smaller role, but rarely with depth.
When I approached two of my male dancers about shooting what I envisioned as a tender but very physical love scene, I expected resistance and came prepared with a speech about my personal commitment to portraying fully formed gay characters. Alas, the speech was unnecessary.
The wealth of movies exploring LGBT experiences is especially rich at this year's Sundance Film Festival, which kicks off today with a diverse, star-dusted lineup of queer movies. Here, festival director John Cooper, a gay father, offers his take on this year's achievements in queer cinema.
As bizarre and seemingly out-of-nowhere as it is for Franco to make a film exploring William Friedkin's controversial 1980 film Cruising, his calling on Mathews to assist in such an endeavor seemed somehow symbiotic.
When I spoke with Kat, she was by turns sweet, funny, and deeply empathetic. A remarkable film, Face 2 Face pulls no punches (and doesn't duck any); Brooks' personal journey of transformation becomes a comment on what it means to be human in our hyperconnected digital age.
Wolfe has been working behind the scenes on an initiative to secure an "LGBT" category heading as part of all digital distribution platforms. This undertaking is just the latest highlight in Wolfe's ongoing mission to facilitate the broadest possible access to our rich cinematic heritage.
Velvet Goldmine was the first time I had seen people like that onscreen, people like me. From my seat in small-town America, the film served as a moment of recognition that I wasn't alone. There were other people out there who felt and desired the same things I was keeping to myself.