On November 13th, Whoopi Goldberg turned 60. The actress, producer and The View co-host got her first Oscar nomination when she made her film debut in The Color Purple. And she's one of those rare people to have won the Academy Award, Golden Globe, Emmy, Daytime Emmy, Grammy and a Tony.
Studio 54 boasts a legacy of irreverence. The opera house turned television studio turned disco club became one of the sexiest venues in New York City during the '70s, kenneling the coolest cats in the country.
Film insiders of the Academy of Motion Picture Arts and Sciences may have given Best Picture honors to Birdman, but moviegoers in the new Moviegoers Best Blockbuster Film Awards gave top honors to Interstellar!
Personally, I think the Hollywood hypocrite's run has gone on long enough. Women as actresses have always been a fundamental aspect of Hollywood itself. They represent the glamour and beauty that made Hollywood what it is today, but this is a new age. Beauty can exist with power, and dominance should not be defined by one's gender.
So for anyone who thought the success of Common has come out of nowhere, please study the totality of his stellar career and his partnership with Derek. I realize what I'm requesting is odd in the world of tweets, sound bites and 24-hour news cycles. I promise you will be entertained.
Though we call it "entertainment" what we see in movies and on TV drives the broader cultural conversation and has an important place in our society. Now, more than ever, it's important that women and people of color are a part of that exchange.
CIRP estimates that proprietary program viewership ranges from over 80 percent of HBO Go subscribers who have watched at least one episode of Game of Thrones to less than 40 percent of Amazon Prime members who have watched at least one episode of Transparent.
There are few events so beautifully elegant in the entertainment industry as the Golden Globe Awards. George and Amal Clooney were exemplary: him in a...
The idea of people reinventing themselves for Hollywood is not novel -- the concept is probably as old as Hollywood itself. What is remarkable are women like Davis, Rhimes, Mindy Kaling, Tina Fey and others, who are actually reinventing Hollywood.
That she will win the Oscar this year seems a given. And the career salute from the Museum of the Moving Image, is just the proverbial icing on the year's cake.
Immediately after hosts Fey and Poehler did their Bill Cosby routine -- their most talked-about bit of the night -- comedian Barry Sobel's Facebook page lit up with dozens of folks posting that the duo did his routine, almost verbatim.
This award is unique by giving general moviegoers (not just industry professionals) the opportunity to vote for the best blockbuster film (among the top 10 box office movies), based upon each blockbuster's artistic quality (not simply your favorite).
To reduce Clooney's to a savior figure not only infantilizes her work and the work of all human rights lawyers, but also boils her multifaceted and controversial career choices down to simplistic idealism, which is hardly a way to make a living, and certainly not to make a successful legal career.
If we accept that the award winners function -- at least in part -- as indicators of issues society currently has on its collective radar, it's interesting to analyze what they might mean in the context of a broader cultural conversation.
The same mindset that marks trans people as unfit to share and depict their own stories comes from the same place as the invalidation that causes us to experience discrimination and self-loathing on so many other levels. Seeing your true self in media is important and can save lives.
As our lives take a turn this way and that, with expected milestones and unexpected setbacks, my hope is that we are involved not so much in the business of drawing lines, but expend our efforts investing in the search for our people.