Who or what could upstage these musicians: Bruce Springsteen, Billy Joel, Alicia Keys, Michael Stipe, Chris Martin, Eddie Vedder, Roger Waters, The Ro...
I need to blow off some steam and where better to head than to LA's hottest FREE hotspot, Runyon Canyon? It's LA's equivalent to Everest's base camp: a smorgasbord of dogs, celebs, trannies, sweaty shirtless bods, gangsters, strollers, and every cliché LA has to offer.
On Nov. 29, 2005, I was on the red carpet for the historic premiere of Brokeback Mountain. Everyone in attendance that night became a part of history, helping launch a profound, heart-wrenching portrayal of the costs of the living in the closet.
"I'm a sports nut," explained Hugh Jackman, joyful that his son decided to join the school soccer team. The actor and song man was making his way arou...
There's more, though, than an old-fashioned sensibility connecting "Prisoners" and "Rush": both films are structured as two-handers, but where the dominant hand is played by the marketing campaign's secondary star.
Denis Villeneuve had two films at this year's Toronto Film Festival. The better one was called Enemy. The one that's getting the big studio release this week is called Prisoners.
Prisoners is an extraordinarily well-made popcorn movie. Like most thrillers, this one doesn't provoke us to take things so personally; that's why thrillers make for great escapism.
With Enough Said, Julia Louis-Dreyfus, one of TV's funniest women ever, has finally been given a perfect film vehicle.
The Pulitzer Prize-winning stage play about a dysfunctional Oklahoma family coping with the suicide of clan's patriarch translates well to the screen -- in the sense that I didn't feel like I was watching a recorded play. Though, it's certainly a performance film. So much scenery is chewed between Meryl Streep (as Violet, the bitter mother), Julia Roberts, Chris Cooper, Ewan McGregor and Benedict Cumberbatch, that the title of this movie could have been called August: Bubble Yum. Yet, even with all of those heavy hitters on board, Dermot Mulroney somehow manages to steal every one of his scenes.
Secrets and lies carried the day in most of the five films I saw Monday at the Toronto International Film Festival. But then, aren't the most interesting movies built around them? It's so obvious that Mike Leigh used the idea as the title of one of his finest efforts.
It's never easy to make a movie, much less one not geared toward the masses. Here's a rundown of new movies, documentaries, TV shows and classics getting a reissue, including one of my all-time favorite romantic dramas on BluRay.
Everybody has a Christmas list, I guess. I've been thinking about Christmas and the kind of stuff I'd really, really like, although I'm sure I'm not going to get it.
Even though some meanings of the play were not quite clear -- the title, for example -- it is a poignant and powerful show with an especially strong cast. One hopes to see all of them, including Gyllenhaal, in more stage productions soon.
It wasn't so much a "something for everyone" weekend as it was a "multiple things for the same general audience" weekend.
End of Watch has the odd-angle, hand-held-camera feel of a documentary. Police cruisers are equipped with camera and even gang members carry video-cameras around to record their exploits. Social media and its record-and-share-it-now aesthetic are apparent.
It's a Chekhovian truism that if you introduce a gun in the first act, it had better go off before the end of the play. That apparently didn't register with David Ayer, who wrote and directed End of Watch, a competent but unremarkable new cops-on-the-streets tale.