In 1991, Boyz in the Hood grossed almost 60 million. That was an era in which mainstream Hollywood studios seemed at least somewhat interested in movies about real things, and not just in sequels about comic book characters.
"Back in my teens, New York WAS the music business. ... I'd go up to Harlem to buy my records. It was a straight line on the D train from King's Highway to 125th street, and they had great record stores up there. ... I mean, I just couldn't think of a better place to be."
I will give Spike Lee his props. I will give John Singleton his respect. But directors such as Tyler Perry and many others who continue to profit from such slander and stereotype of the black population should be held responsible for such backlash that comes from Django.
From June 20th to the 23rd, my goal was to learn as much about the film industry as possible; to see it through the eyes of the artists, hear it in their voices, see their visions on the big screen, and to gauge the audiences reaction.
Chick Corea's new album, Forever, is a two-disc set, with the first disc being acoustic, and the second disc with a full band and guests. For the first disc, I asked him if it was a return to Return To Forever.