Shortland's film has an occasionally detached, whispery quality, as the camera focuses on the nature around Lore and her group. These Malick-like moments take us out of the story, for better or worse, depending on your point of view.
What thing of beauty would you like to create in a designated sacred space this year? How do you prepare the way for the beautiful mystery to meet you, in your every day life filled with so many practicalities? How would life be different if we knew there was nothing to fear?