From the red carpet, minutes before the ceremony, an understated, thoughtful and genuinely approachable, Ruffalo credited his Catholic upbringing for his progressive thinking and support for the underdog.
Maya Forbes' autobiographical film, Infinitely Polar Bear, about her family coping with her father's bipolar disorder, is set in the late '70s, a time when few understood the impact of this mental malfunction.
It's commencement season and politicians, authors, and titans of industry and innovation are descending upon campuses across the country to shake hands, accept awards, and impart wisdom on the eager ears of America's newest college graduates.
Ironman/Tony Stark: He's the guy everyone calls on in a pinch -- and he'll always come to the rescue, but he wants the glory for doing it, and he has no intention of sharing the spotlight. It's his way or the highway, and you're never going to mean more to him than his favorite suit.
Joss Whedon is once again doing the honors as writer/director, but is this next installment a fitting follow-up to the justifiably praised first film? Check out my review by clicking on the player or right-clicking the link to download.
These feel like cinematic end times -- not in terms of Hollywood movies (that horse is already out of the barn), but in the pack-mentality, "hey, it's good enough" approach of critics to the colossus that bestrides summer movies, otherwise known as the Marvel Universe.
The film takes a performance by the impossibly charismatic James Spader, and purposes it in service of an impossibly dull CGI automaton. It's a bit perplexing that Ultron manages to get so much right except for the very villain whose name is in the title.
Thursday morning was a wonderful and terrible morning for Hollywood. Some filmmakers got the once-in-a-lifetime thrill of hearing their names called as Oscar nominees (or, if you're Meryl Streep, 19-times-in-a-lifetime). Others were left empty-handed.
If I were going to make a 10-best list, it would probably include films like Boyhood, The Imitation Game and Selma, among others that will be on everyone's list. But, as good as those films are, none of them are on my list of favorites.
Say whatever else you want to about 2014, here's one thing I know for sure. It had 365 days. And since new movies opened on screens across the USA on a great many of those days, I feel compelled to consider the year in films.
There is an eerie vibe about the movie "Foxcatcher" from its first moments to its last. It is hard to pinpoint what it is but the sterile bleakness of the opening scenes sets a tone that stays with the movie and the main three characters who inhabit this story.