Neil Labute's remake of Death at a Funeral is virtually a photocopy, in terms of the story it tells and the comedy beats it hits. Yet everything in this version is coarser and more obvious, aimed at a lowest-common-denominator audience.
Director Nash Edgerton, working from a script by his brother Joel, understands that when you're putting a puzzle together, some of the pieces have rounded corners -- but a lot of them have sharp edges that draw blood.
Given the track record of director Shawn Levy, I approached Date Night with a certain amount of dread -- OK, a lot of dread. So let me say straight off that Date Night isn't terrible -- and I mean that as the mildest of praise.