Harry Brown is hard and violent, a thriller that makes no pretense about the explicit toll of violence. But it's built around a strong character and an award-winning kind of performance by Michael Caine.
Even as he approaches 50, Tom Cruise broadens his range -- maybe not to a Cary Grant level of charm, perhaps, but certainly to something a lot less determined and disciplined than usual: something that approaches actual goofiness.
Neil Labute's remake of Death at a Funeral is virtually a photocopy, in terms of the story it tells and the comedy beats it hits. Yet everything in this version is coarser and more obvious, aimed at a lowest-common-denominator audience.