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Michael Friedman

Les Freres Corbusier Is Back! And So Is Herbert Hoover!

Cara Joy David | Posted 02.11.2015 | Arts
Cara Joy David

Now that Alex Timbers is a big Broadway director and also the co-creator/writer of an Amazon series (Mozart in the Jungle), I was afraid we wouldn't see much from his theater company, Les Freres Corbusier. But not so!

In Search of The Fortress of Solitude

Steven Suskin | Posted 12.22.2014 | Arts
Steven Suskin

There is an interesting and potentially important musical contained within The Fortress of Solitude, the new piece from Michael Friedman, Itamar Moses and Daniel Aukin at the Public.

First Nighter: The Civilians Confront Climate Change With "The Great Immensity"

David Finkle | Posted 06.26.2014 | Arts
David Finkle

It's taken for granted that any superior drama depends on its stakes being high. If that's the case, then The Great Immensity -- created by the always-intrepid Civilians troupe and presented at the Public after a world premiere at Kansas City Repertory Theatre -- is indubitably superior drama.

Can a Play Change the Planet?

Suzy Evans | Posted 06.08.2014 | Arts
Suzy Evans

Thus began the journey to The Great Immensity, which will premiere at the Public Theater in New York on April 11 and is scheduled to run through May 1.

First Nighter: Anne Washburn's "Mr. Burns, A Post-Electric Play" Does Go On and On and...

David Finkle | Posted 11.15.2013 | Arts
David Finkle

"I've never actually seen an episode of The Simpsons," Gibson (Gibson Frazier) admits in the first section of Anne Washburn's Mr. Burns, A Post-Electr...

Why Brantley Got it Wrong

Dana Elle Salzberg | Posted 10.30.2013 | Arts
Dana Elle Salzberg

Dude, I can explain. In the grand tradition of theater, "getting it" is as much of a theme as star-crossed lovers or inevitable fate. I am sorry but, Mr. Brantley, you did not get it, and I don't think you could have. The show was not for you, it was for me.

"The Little Flower of East Orange," The Elephant Theatre Company

James Scarborough | Posted 05.25.2011 | Arts
James Scarborough

In an era of discredited priests, apostasy and religious fundamentalism, what the world needs is a good old saint; miracles not required.