If nothing else, Maleficent serves as a perfect example of why Jolie is one of the most in-demand actors on the planet. Through the sheer power of her personality (with, of course, an able assist from Rick Baker's remarkable prosthetics), she's able to create a character who has equal parts bombast and fragility.
To its credit, the film does its level best to fix some of the Sony version's most egregious flaws. For one, there's no try at reinventing the wheel with how this most iconic of movie monsters looks. This is unmistakably the same Godzilla that several generations of viewers have come of age with over the past 60 (!!) years.
Not to label it a leftover festival, but there is the sense that the movies in Tribeca have either already had their debut elsewhere or, more to the point, didn't have a debut elsewhere because they didn't make the cut. Still, I always enjoy the opportunity that Tribeca affords me as a critic and curator.
Draft Day is an above-average entry in the field, and a predictably proficient a piece of popcorn entertainment. While some the broad strokes of the story may be fairly easy to call out fairly early on, it packs in enough "what's gonna happen?" suspense to make the eventual third act pay off worth hanging in there for for.