I don't smile any more, however, since my piece is now used in US Courts.
Less than one week into Hillary Clinton's presidential campaign and it's a blurry image from a fast-food restaurant security video that's emerged as the defining media image.
"I think we're not in Kansas..." leaps to mind during the descent into Adelaide, South Australia -- having left San Francisco more than 22 hours ago...
True Story is not a bad movie; indeed, it's a creepy little tale that has moments that will unnerve you. But the limitations of its script and of Jonah Hill's performance in the central role keep it from transcending its shortcomings.
Bill Plympton is not a genius, or so he insists, although none of his thousands of fans would be shocked if a MacArthur "Genius Grant" came his way.
Are you a leader? One way to find out is to take one of the many online tests available and see for yourself.
The Broad Museum is about to open its doors this September, and by doing so it's going to explode a U.S. military style daisy cutter on the Los Angeles art scene. Then comes Hauser Wirth and Schimmel (HWS) a few blocks away in LA's undeniably burgeoning Arts District.
Republican White House hopefuls have received better, more sympathetic press coverage than Hillary Clinton, whose page-one coverage to date has been almost devoid of positive Times treatments.
Judith Miller recently popped out of the Fox News bubble for a quick jaunt to the Wall Street Journal editorial page, the home base for John Bolton, Max Boot, and other neo-con hawks, to give her forthcoming book a little free advertising. In the process she attempts to whitewash her role as an influential pro-war voice in the lead-up to the Iraq War.
Among the more important medical studies reported in recent weeks, even resulting in that rarefied "front page, above the crease" coverage by the New York Times, was a paper in JAMA indicating that the interpretation of breast biopsies is not the infallible gold standard we had hoped.
Vladimir Putin canceled a radical production of Wagner's Tannhaüser in Novosibirsk, the good people of my native Queens are in an uproar over public art the public doesn't want, and an op-ed piece proposes a darker version of The Sound of Music, of all things.
So, the New York Times has corrected the record. Mazl tov! Is the world the same now as it would be if the NYT had never run the scary headline in the first place?
Some editors at the New York Times seem to have either developed a severe case of institutional amnesia, or decided to confer the presumption of innocence upon cellphone radiation, as the newspaper did upon asbestos for an entire decade after the mineral had been shown to be the most important industrial carcinogen in the world.
Almost a month ago, the French Club at the University of Chicago invited Charlie Hebdo journalist Zineb El Rhazoui to discuss "freedom of expression in our contemporary society." The event on freedom of expression, however, quickly turned to a kickboxing match with a single kickboxer and Islam as her punching bag.
If advertising of yore tried to prey on insecurities and the psychology of the public, today they're scouring the glut of what we're discussing each day for keywords that might as well be invitations to solicitation.
The American People is predictably commanding and passionate, its insights are stunning and endless, its narrative consistently compelling. But how much of the history it recreates is true?