Oliver Stone's excellent new film "Snowden" is a primer on life in the digital age - the perils to privacy, professionalism and the personal. Through an extended series of flashbacks in the life of whistleblower Edward Snowden, Stone shows us the impacts of global surveillance on relationships from international to interpersonal.
The great paradox of the internet age is that ever-greater connectivity also means ever-greater capacity for surveillance -- both by governments and the private sector digital companies. In an exclusive interview with director Oliver Stone about his new movie, "Snowden," we discuss the intrusion of intelligence agencies into personal data floating around in cyberspace, as well as what Stone considers the totalitarian creep of "surveillance capitalism" by the likes of Facebook and Google, which monitor and market your online profile. (continued)
I'm praying still for Bernie Sanders, because he's the only one willing, at least in the name of fiscal sanity, to cut back on our foreign interventions, bring the troops home, and with these trillions of dollars no longer wasted on malice, try to protect the "homeland" by actually rebuilding it and putting money into its people, schools, and infrastructure.
I was recently chatting with filmmaker Edward Burns who was excitedly talking about his new drama series, Public Morals, which premieres on August 25 on TNT. He was grateful that I'd found the series compelling with a host of outstanding elements from cinematography, set design and costuming to music.
Elvis's presence was in the building at the Loews hotel in Santa Monica for the annual eight day American Film Market (AFM) hoping to convince the 1,670 buyers from over 70 countries to buy the rights to the upcoming film "Elvis and Nixon" starring Michael Shannon as Elvis and Kevin Spacey as Nixon.