We take our mentors where we find them in life, though it's not always apparent who's teaching who. That's the case in Learning to Drive, a comic drama by Isabel Coixet that offers beautifully matched performances by Patricia Clarkson and Ben Kingsley.
When Benjamin Scheuer walks onto the Lynn Redgrave Theater stage, picking up an acoustic guitar, announcing he's 10 years old, you believe him. He is about to tell his story in song, accompanying himself with several guitars, instruments he mastered at his father's knee.
By dint of calling his play The Elephant Man, Pomerance irrevocably establishes that Merrick is his focal figure and for much of the two acts deftly presents the character study of an unforgettable character -- not only to the audience but, of course, to the other figures populating the stage.
I love the fall theater season. First, fall is my favorite time of the year in the city. Second, the fall theater season is chock full of new offerings, but the pressure to see them right away is less than it is with spring offerings, as the Tony Awards isn't as imminent.
What is the appropriate moral response to grave injustice? When do ends justify means, and when, if ever, is violence the right solution for addressing social wrongs? These are the compelling questions addressed in Zal Batmanglij's riveting new film, The East.
Shoulder to shoulder like Homeric heroes, Ryan Gosling and Bradley Cooper descended the long stairs at the Landmark Theater on Thursday night, joining others of the cast and crew onstage for the premiere of Derek Cianfrance's new movie, The Place Beyond the Pines.
Written by and starring the dreaded team of Casey Wilson and June Diane Raphael, it's about -- well, really, who cares? Keep in mind that this is the same pair responsible for the awful Bride Wars and you get the picture.