Tavis Smiley is a STAR. Congratulations on 2,000 shows; here's wishing you 1,000 more! Hey, before you know it, you'll be in this game as long as me. Get ready to hold on to your suspenders!
On Thursday night, the 9th of May, 2013, as a rainbow descended into Hollywood and a cotton-candy sunset filled the firmament of Beverly Hills, the Paley Center for Media L.A. celebrated a humor deity: the one and only Mel Brooks.
PBS has standards for "editorial integrity," and its guidelines state that "member stations are responsible for shielding the creative and editorial p...
LOS ANGELES, May 15 (Reuters) - Music mogul and rapper Sean "Diddy" Combs will not be appearing in British period TV drama "Downtown Abbey," U.S. br...
Cortlan is about to make history as one of only two Black men to finish Harvard Law School at just 22 years of age. In this clip from Tavis Smiley on PBS, the phenom talks to me about demystifying Harvard Law for Black youth.
A simple fact of business: You have to spend money to make money. And those who want to privatize education are willing to spend lots of money and effort to push their agenda. One of the main ways they are doing this is through ALEC.
Latino history in the United States has been obscure until now. A new documentary series narrated by actor Benjamin Bratt will chronicle the history o...
Though there's been a bit of a vacuum in genealogical programming in the U.S. over the last year or so, that's happily about to change. First up is Christopher Guest and Jim Piddock's mockumentary series, Family Tree.
What if PBS legends Mr. Rogers, Bill Nye the Science Guy, Bob Ross and Carl Sagan joined forces to save the world from brain-rotten, soul-crushing tel...
In Harlem, 62-year-old Isaiah Owens is known as "Fix Em," for his ability to repair dead bodies ravaged by disease, mishap or violence; in the forthco...
Count von Count typically focuses on whole numbers, but these days 0.29 is on his mind. Why? Point-two-nine is the measure of something of great significance to the Count. Worthy, even, of one of his famous lightning bolts. It's the size of the Sesame Street Difference.
Ken Burns is a story-teller. His new documentary PBS film which debuted this week, The Central Park Five, is really a retrospective on the case of Trisha Meili, brutally raped near the Reservoir in the 875-acre Central Park, on April 20, 1989.
The film concerns five black teenagers who, not knowing their rights during detainment, were coerced into confessing to a brutal rape that left a woman in a coma in Central Park.
If a hallmark of great art is its ability to transcend the limited circumstances of its creation, then there is no more heartbreaking realization of this than the 1944 performance of Giuseppe Verdi's Catholic Requiem by Jewish prisoners at the Nazi concentration camp Terezín.
Sheryl Sandberg's views have been heavily contrasted to Anne-Marie Slaughter, author of the viral Atlantic article "Why Women Still Can't Have It All," so much so that a New York Times journalist argued that their distinctions amounted to a Freidan-Steinem row.
Philip Roth may be our greatest living writer. So why would he give himself over to filmmakers who would make a movie as dull, superficial and pedantic as Philip Roth: Unmasked?
We are a compassionate nation. We look back with sadness and horror at parents and children separated in centuries past, and then turn our heads when it happens in our day. The separation of parents and children is not confined to history.