In both style and substance, Joan Wulf's artistic practice exists at a poetic nexus of nature and science. Her art has stemmed largely from her observations of the environment, both as an independent, self-governing system of matter and energy, and as an interdependent context for a range of cultural, scientific, philosophical, and industrial human activity.
Instead of proposing a liberal alternative, the United States seems to be apologizing. Statements explaining away the actions of ISIS with lack of job opportunities or poor governance can be used to justify genocide. But the strongest indication that America has entered crisis-mode is that it can no longer make its case.
On the initiative of the Bibliothèque National de France, the review La Règle du Jeu, and two young philosophers, Joseph Cohen and Raphaël Zagury-Orly, a major symposium was held last week on the subject of Heidegger and "the Jews." Over the discussions hung the appearance of Heidegger's famous "Black Notebooks," in which his anti-Semitism shows its face plainly.
The first computers were free-standing machines. Later, we learned how to hook them up and the result was an enormous increase in computing power. A parallel shift in our notion of selfhood is called for. The current default self, subscribed to by most people most of the time, is a stand-alone model. The new default self, to be posited in this essay, is more like a computer network.
The "hard problem" as you probably know is actually a phrase referring to the problem of accounting for consciousness. Most things are not conscious. This table we are sitting at isn't conscious. Vegetables aren't conscious. We are conscious, and nobody understands how we do that; physically, scientifically or metaphysically. Nobody really knows; and that's the "hard problem."