If you have something to say...
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If you have something to say...
Say it on the Huffington Post
The Blog
Control of perspective and aspect ratio are two powerful reasons to use FrontView. The limits of believability are potentially your only constraints.
For his latest "destruction series" photo shoot, young Hollywood provocateur Tyler Shields desecrated the ultimate luxury status symbol -- an Hermès ...
In this downtrodden economy in which the arts are often seen as superfluous and secondary, it is inspiring to see a young arts organization thriving and actively changing the ways in which people engage with nomadic art making and acknowledge the spaces and places in which art is created and shared.
We live in a world full of horror and destruction. We spend most of our lives avoiding this fact (either actively or luckily). But when all the cards are played, the beauty of a sunset is no less real than a cancerous swamp.
An impromptu trip to the Sea of Cortez finds wildlife galore.
Over the years I have collected various seed pods as I ran across them in various travels and swap meets. Their size alone is astonishing.
Summertime used to mean that the galleries and museums would take it easy, presenting lackluster group shows and few, if any, challenging solo exhibitions. Not any more. Economy be damned, the Los Angeles art scene is now sizzling year round.
You can literally end up writing a book about the food, but it's the pictures that are truly worth a thousand words. It's the best way to capture the experience of making and enjoying the final product.
Massoud Hossaini was awarded the Pulitzer Prize for a photo he took of Tarana Akbari, a 12-year old girl who found herself surrounded by dead bodies after a suicide bombing at a shrine in Kabul.
We drove west from San Sebastian scaled the mountains of Cantabria then descended through Asturias on the way to the Galician coast. Finally, we hopped a train for Portugal.
If ever there was a war defined and illuminated by photography, it was the war in Vietnam. And if ever there was a photographer who left his imprint on the unforgettable images of Vietnam, it was Horst Faas.
Even the taxi driver who took me to the airport this morning was gossiping. "Eighty U.S. dollars," he scoffed. "All those guys had to do was give her the money."
