The Campaign exceeded my expectations by ignoring partisan politics and instead poking fun at the realities of modern campaigning, the role of wealthy donors, our gaffe-obsessed media, and, in the end, on voters themselves.
Could you live for a month relying on the generosity of strangers for food, shelter, transportation, and even showers, with no money and no help from friends or family? That's what Joseph Garner attempted to do in his documentary Craigslist Joe.
The Dark Knight Rises is very impressive and definitely worth seeing, but without a once-in-a-lifetime performance like Ledger's Joker to provide the pulse, we'll have to be content with a final chapter that certainly delivers, but in a trilogy that peaked in the middle.
Why would Sony, which owns the rights to the Spider-Man character, feel that it was a good time to reboot the series with The Amazing Spider-Man? As you probably guessed, it has something to do with money.
A comedy like Ted feels like such a breath of fresh air -- a film that takes chances not just with its premise (a living teddy bear with a predilection for hard partying) but with a sense of humor that's prepared to go to any length (or depth) to get a laugh.
There were some things in Rock of Ages I really liked, but there were also things that were annoying or just plain weird. But what's weirdest is that what I liked and what I didn't like were often the same things.
This film urges us to look hard at what charities like Komen are really saying about breast cancer, those who have it and the companies trying to "pinkwash" themselves, insulating themselves from criticism.
The bad news is Kristen Stewart, whose performance seems transplanted from the Twilight films since she spends so much of both looking either bewildered or angst-ridden with the weight of the world on her shoulders when she isn't running for her life.
By making Driss and Philippe fully realized characters (the film is based on a true story) with histories and lots to learn about life and each other, The Intouchables manages to escape the trappings of the Magic Negro genre.
Why, ten years after an underperforming sequel, is there a Men In Black 3? Are there burning questions about agents J (Smith) and K (Tommy Lee Jones) that were left unresolved? Is there an arch-nemesis still on the loose?
Last Call at the Oasis explores the reasons why humans are polluting and consuming more fresh water than nature can replenish. I spoke with Yu, discussing some of the scarier facts she learned and how we need to shift our thinking about water.
Ondi Timoner's latest ventures, an interview show called BYOD (Bring Your Own Doc) and a YouTube channel called Live Public, use Timoner's interests in mind- and life-changing documentaries and technology to go behind the scenes of how both are made.
Why would a small town in East Texas claim that one of its residents, an assumedly gay man, should be given a lenient sentence for shooting an old woman in the back? That's a question that's only partially answered by Richard Linklater's dark comedy, Bernie.
If 4/20 is the international day for celebrating marijuana, songs by Bob Marley and the Wailers would be the day's equivalent of carols on Christmas. But Marley was much more than a pot smoker and a purveyor of music for barbecues and pool parties.
I had a chance to talk with Weitz, and as I began transcribing our interview, I began to notice parallels between Nick's story and Weitz's journey to both forge a unique movie from a beloved existing work and to embrace his past as a way to move forward and develop his own voice.
Young American boys (including myself) have been running around with toy/imaginary weapons pretending to be soldiers for millenia, and have been watching TV shows and movies about the military for decades.