Sitting in a courtyard on the grounds of La Mamounia Hotel in Marrakech, filmmaker Ritesh Batra admits that one of the best parts of being a member of the jury for the competition at the Marrakech International Film Festival is actually getting the chance to watch movies.
I've been covering the New York Film Festival since 1987 and have, over the years, developed a bit of a love/hate relationship with it, as an institution (specifically, Film Society of Lincoln Center) and as a festival.
Kill the Messenger is based on the true story of reporter Gary Webb, a Pulitzer Prize-winning newspaper journalist in the 1990s who documented CIA involvement in importing cocaine in the 1980s, to help fund the Contras in Nicaragua -- and then was hounded out of journalism.
Mention Sundance, and people immediately think indie film. But the institute is evoking its "story first" ethos and branching out into the world of episodic content. Sundance will hold its inaugural episodic story lab at the Sundance Resort in Utah from Sept. 27 - Oct. 2.
Without women's stories, we see only half of our world. Without women filmmakers showing us what it really means to be a woman within what has long been a patriarchal society, we cannot appreciate the many struggles women have experienced, nor the sweetness of the victories won.