Given that Joseph Gordon-Levitt has gotten so good at doing the action-hero thing in these big budget blockbusters, one might wonder why he'd then be so eager to voice a desk-bound aeronautical engineer in The Wind Rises. But Joseph has a two word answer to that question: Hayao Miyazaki.
Graham Nolan worked in the Bat-universe from 1992 until 1998, most usually with writing partner Chuck Dixon. Although collaborating on a great number of stories together, the one that the artist has become the most famous for is Vengeance of Bane.
Of all the writers who have tackled the Dark Knight over the past seven-and-a-half decades, none has written more individual issues, miniseries, or one-shots than Chuck Dixon -- he has over 300 Bat-stories under his belt.
The potential for violence lives within all of us, and I'm no exception. Violence in my novels is contrived--it's pure fiction--but reflects a core truth about human nature. It's never meant to be gratuitous, but rather serves the story.
Ultimately, what kids watch isn't up to the MPAA. In truth, the responsibility for monitoring children's viewing of films lies with parents, who should investigate movies thoroughly before introducing them to any underage child.
With the release of Man of Steel next week, it's admittedly difficult to not think ahead to the much rumored and much maligned Justice League of America movie. If you don't know what that is, it's basically The Avengers only with DC characters (Superman, Batman, Wonder Woman, etc.). And it's crazy that we live in a world where The Avengers are more popular than Justice League, because until recently that was never the case (think of all of the iterations of Super Friends there have been, which is a watered down version of Justice League). With Man of Steel, the framework is certainly being set, but, at least if we're looking at Marvel's blueprint, something seems missing. And what's missing has everything to do with The Flash.
The Batman trilogy is a brainy thriller. It asks us to leave our simplistic notions of good and evil at the door and to recognize that in our new and dangerous world, we cannot ignore evil.
Without endorsing any of the somewhat simplistic views of Zero Dark Thirty, I thought this would be a good time to discuss a few films that I happen to like and/or love despite being vehemently opposed to their respective ideologies.
With gratitude for the time that has passed, I cannot help but ponder over what is most important as we enter into the New Year, and therefore a new c...
I wrestled with even doing an 'overrated' list this year. First of all, the very idea of such a list is to merely tell other critics and/or the masses that they are dead-wrong for liking something, which I'd argue is very different from telling someone they're wrong for disliking something.
This was the best year for movies since 2010? 2007? 1999? 1997? Whatever the answer, 2012 was a damn good year. Ahead, a countdown of my favorites.
This question originally appeared on Quora. Answer by Mark Hughes...
From the best political bits on late night to a few unintentionally hilarious moments from the politicians themselves, 2012 was a great year to laugh at politics in America.
I like Joseph Gordon-Levitt. In fact, I Joseph Gordon-Love him -- have since Rian Johnson's Brick. I find myself torn, then, between better instincts and the recent rumor that originated on HitFix reporting that Gordon-Levitt would "absolutely" be Batman according to their "sources."
The Bond film franchise returns to celebrate its 50th anniversary with Skyfall. Daniel Craig is the best actor to play Bond. He is highly credible in the action sequences, while bringing depth, darkness, decency and a dry humor to the role.
Even at 60 years old, Neeson still manages to have cross-generational appeal, and makes a far more believable action hero than puerile pretty boys like Shia LeBeouf or Liam Hemsworth, whose acting is an amalgamation of upper lip peach fuzz and dour glowers.