As human beings the one thing that we can rejoice in and take pride in is that no other machine or algorithm in the world would ever understand that it's our very flaws in being human that make us so special and individual.
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Art and nature: the outdoor sculpture park offers the best of both worlds. Especially during the summer holidays, when we're eager to trade in weary museum-legs for the invigorating effects of the nature hike, without sacrificing the need to view and appreciate great artworks.
These are the words written on the artwork Birds (2012) by Tracey Emin, which was hung up in the corridor leading to the Rosemary Murray Library just before the beginning of the infamous Easter term, also known as exam term.
No surprise: the Museum of Modern Art has extended its exhibition of Matisse's cut outs as a result of popular demand. The same happened when the show featuring the master's late in life career debuted in London's Tate.
For Smith and Emin, the body is in perpetual motion. Neither artist has any shame in laying the ghastliest aspects of femininity stripped bare. This introspection strips their work of pretense down to an almost primeval level.
Although the artists often intersect one or more of the categories, they were loosely assigned to each to help illustrate how sexual identity, politics, internal experience and pleasures and pressures of domestic life are explored through their work.
A highlight was when a curator was showing a group of fans the beer stein covered in hand-molded and painted snails and a giant cowboy swaggered over and hollered, "Where's the sauce for these little suckers?" and swooped his paw by the art.