Drawing primarily from nature, kinetic artist, Casey Curran, creates sculptures that come alive with a turn of a handle. Intricately designed but relying on basic rules of mechanics known since Renaissance, his works invite the viewer's direct participation.
Peace is a transition point, because it calls you to action. You climb a mountain to find peace in the view from the top, only to descend and keep walking in order to share that view with others and help them see it too.
Emily Silver makes work that is as visually calm as an air horn. Objects, drawings and videos that may have literally been involved in some kind of explosion or had their glitter-and-ribbon brains bashed out with a bat fill her studio.
he shutdown this week, just about 18 years after the last federal closure, gives local residents a chance to get an idea of what the town might be like without the government here. And it's not all bad. A look at the landscape shows that D.C. is coming into its own as a cultural destination.
Ellison is wealthy enough not only to have a collection of very good Japanese works (sculpture, paintings, folding screens, hanging scrolls, lacquer and metal work), but to have the former director of the Asian as his private curator.
Kara Walker is no stranger to controversy. On Thursday, March 7, 2013, the African-American visual artist addressed a room of more than 100 people in New Jersey's Newark Public Library to talk about her work and its most recent firestorm.
We who educate aspiring artists, whether we're public or private, liberal arts or research university, or a professional school tend not to give sufficient attention to what ensures proficiency, what prepares our graduates to act upon an indifferent world.
In banging a soundboard in an open piano, feeling both the power and energy, Bill Youse drove home the point that Steinway is the Rolls Royce of piano manufacturers. That makes the abstract artist Lynx the new hood ornament of that grand piano.
Every visit to the White House is special, but there is something very exciting about witnessing this event. Perhaps it is because I am a painter and I understand the years of work that went into what they have achieved and I can rejoice with them in their successes.
It took French artist Tania Mouraud more than 30 years to come back in New York with a solo project. She return with a long awaited mini-retrospective that invites us to sharpen our awareness of our present.