So what's your favorite Jane Austen?
People take Jane Austen personally: she's all about us. Readers and moviegoers line up behind their heroine of choice with the fierce ambition to be special that little girls bring to telling you their favorite color ("I used to like pink, but magenta..."). As I show in my new book, "Why Jane Austen?," most fans identify with brilliant Elizabeth, over-confident Emma, or exquisitely sensitive Anne--and simultaneously with the novelist herself.
The heroine of "Northanger Abbey" is not so popular, maybe because the title is hard to pronounce, maybe because the novel wasn't re-made for television until 2007, but probably because Catherine Morland doesn't have much in the way of an identity. The narrator writes that no one would take her for a heroine--and then throws a hero in her path and makes her one.
To look beyond the big three Austen novels most often read and adapted is to find unexpected pleasures. So you think you know Jane Austen? Here are some works you may not have discovered yet...
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Jane Austen - Wikipedia, the free encyclopedia
Austen.com | The Works of Jane Austen
Amazon.com: Jane Austen: The Complete Novels (9780517118290): Jane ...
The best adaptation on film: The Amanda Root 'Persuasion'
The best book adaptation: Lady Vernon and Her Daughter (adapted from 'Lady Susan')
The most underappreciated juvenile work: The Three Sisters - LOL
Ironically, because Ms. Austen basically invented the modern novel, she seems conventional. However, the most cursory reading of the novels she hilariously sends up in Northanger Abbey shows that her contemporaries hadn't any idea how to meld characters and action into a convincing plot. Or that a theme wasn't a series of badly-written speeches. They created characters either perfect or evil and then shoved them around incredible plots like marionettes. At every opportunity, they hit readers over the head with the moral.
The genius of Ms. Austen was to introduce desire into the novel, ending clumsy characterization, melodramatic plots, and undigested object lessons for anybody who wanted to be taken seriously as writer. For example, instead of Clarissa which, in lieu of a plot, insists we admire the silly, hypocritical troublemaker of a title character, we get Elizabeth and Miss Bingley who conflict for the realistic reason that they're both competing for a handsome, well-bred, and well-off husband. Because they want the same thing, neither is wholly bad or good: like life but more interesting.
Furthermore, unlike her contemporaries, Ms. Austen was a brilliant stylist. She wrote beautiful sentences, sharp characterizations, masterful dialogue, and perfectly designed plots. In contrast, try Moll Flanders, which is thinly plotted, repetitive, and almost without dialogue.
Jane Austen made the novel, period. She can't be overrated.
The above is a description of the superficial parody in Northanger Abbey, but there is a deeper, "shadow" anti-parody, in which it is Catherine Morland who enlightens Henry Tilney about the horrors that _do_ exist in every English family:
http://sharpelvessociety.blogspot.com/2011/05/general-tilney-as-bluebeard-murdering.html
and there is much much more to the feminist anti-parody in Northanger Abbey!
Cheers, ARNIE PERLSTEIN
I'll keep it in mind next time I read NA.
The Emma baby as well.
Is there a single post that outlines your shadow stories or will I have to wait for the book?
least fave to date
I'm embarrassed to admit that I still haven't got round to reading Sanditon.
how good that is and how bad the latest p and p.