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Regina Weinreich

Regina Weinreich

Posted: November 7, 2009 10:34 AM

Remembering Tennessee Williams

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Playwright John Patrick Shanley, referring to Tennessee Williams as a "gorgeous unstoppable beast," recounted an incident in a restaurant when he, a budding writer, maybe thirty feet away from the master dramatist, could not bring himself to say hello. Such is the power of "influence" that any person in theater would stand in awe of this writer of poetry, short stories and the extraordinary body of plays for which he is best known.

Shanley was among two dozen speakers who paid tribute to Tennessee Williams at the Cathedral of Saint John the Divine on Thursday evening, themselves a Who's Who of American theater: Vanessa Redgrave who had originated the role of "Lady" in "Orpheus Descending" read from "Not About Nightingales," Marian Seldes who created the role of Blackie in "Milk Train Doesn't Stop Here Anymore," Sylvia Miles performed her role, Mrs. Wire, from the 1978 London production of "Vieux Carre." Tandy Cronyn presented a postcard Tennessee had sent her late mother Jessica Tandy, the original Blanche DuBois, from Italy, reveling in how Blanche would love Rome. Her father Hume Cronyn had been instrumental in keeping the young starving playwright alive, optioning his 9 one-acts. Eli Wallach performed a scene from one with his daughter Kathryn. Eli and Ann Jackson who was in the audience met doing that play. Olympia Dukakis read from "Milk Train," and John Guare read "As I stood in my room tonight."

David Kaplan, curator of the Provincetown Tennessee Williams Theater Festival, read from an essay Tennessee had presented at the cavernous Saint John the Divine in 1971, "We are Dissenters Now" protesting the Vietnam War; overall, Williams proclaimed, "love for humanity will prevail." On Sunday, Tennessee Williams will be inducted into the Poet's Corner, among Emily Dickinson, Robert Frost, Mark Twain, Walt Whitman, F. Scott Fitzgerald, Edith Wharton, and other American literary giants, becoming the first poet/ playwright to be so honored

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02:01 PM on 02/05/2010
"I don’t want realism. I want magic!"
-Cat on a Hot Tin Roof

Tennessee Williams takes the audience right inside the minds of the broken, the mad and the lost. We did a tribute to him in an episode of our webseries, Stalker Chronicles­. It's a comedy, but in the style of this great writer.
http://www­.youtube.c­om/watch?v­=Kax4LJgwi­k8&feature­=related

All the research I did to prepare for this episode really enriched me as an artist. Thanks TW!
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TheBaffler
a long the riverrun
03:19 PM on 11/09/2009
Our finest playwright by far.

I knew a man who once met Tennessee and Gore Vidal in Florida. Tennessee was walking a boy toy around on a dog leash. Good stuff.
10:31 AM on 11/08/2009
A true giant in American literature­. How he transforme­d a play about a played out woman who gets destroyed by a brutish thug into a masterpice is something that will be studied for generation­s to come. It was probably one of my most cherished memories from high school was the analysis of this play. I had a gay english teacher who adored Williams and it took. In the end Williams convinced me, a budding writer, that the only thing important to people in this wolrd is the battle of the sexes. Everything else is ancillary. And the more savage the battle and it's combatants the better.
09:27 PM on 11/07/2009
Visiting Tennessee'­s home in Key West was an eye opener. It is very humble and ordinary. Yet it's occupant so extraordin­ary. Thanks for the memories.
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HUFFPOST SUPER USER
Smithn
To do is to be:Socrates/Do-be-Do-be-Do:Sinatra
01:40 PM on 11/07/2009
Regina,
Thank you so very much for recharging my old memory; and, most of all thank you for this momentary snark free news zone.
12:44 PM on 11/07/2009
as a student of theatre and literature­, i can think of very few writers who have touched me more. i can think of no american writers that have. williams is always at the top of my guest list when the "fantasy dinner party" question comes up.
11:00 AM on 11/07/2009
Unlike William Faulkner, who seems to have thought that there was no life for him outside Mississipp­i, Tennessee Williams, another remarkable writer from the South, moved around during his life. New Orleans and New York, where he died, were both important to him. In France how an actress plays Racine's Phaedra, in England how an actor creates Hamlet, and in America how an actress embodies Blanche (the latest incarnatio­n is Australian­) are eagerly awaited.