"Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)" - Walt Whitman
Recounting his recording sessions with the young Michael Jackson, famed record producer Quincy Jones remembers that "Michael was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes -- and the lights off." What a contrast from his onstage extroverted, charismatic and bold performance!
In the CNN.com article "The confusing legacy of Michael Jackson," Todd Leopold discusses the perplexing combination of seemingly contradictory traits displayed by Michael Jackson. In explaining his many sides, Jackson biographer J. Randy Taraborelli essentially throws his hands up in the air in exasperation as he tries to make sense of the apparent contradictions:
I think that when you're talking about Michael Jackson and you try to analyze him, it's like analyzing electricity, you know? It exists, but you don't have a clue as to how it works.
Creativity researchers aren't so confused. They have long-ago accepted the fact that creative people are complex. Almost by definition, creativity is complex. Creative thinking is influenced by many traits, behaviors, and sociocultural factors that come together in one person. It would be surprising if all of these factors didn't sometimes, or even most of the time, appear to contradict one another.
As creativity researcher Mihaly Csikszentmihalyi notes in his 1996 article for Psychology Today entitled "The Creative Personality," creative people "show tendencies of thought and action that in most people are segregated. They contain contradictory extremes; instead of being an "individual," each of them is a "multitude."
To me, some of the most fascinating contrasts are those found in creative performers -- those who are constantly on stage and in the public eye. Out of Csikszentmihaly's list of 10 complex personality traits of creative people, which were based on interviews with a wide variety of creative people, I think these three are the most relevant to creative performers:
Creative people have a great deal of physical energy, but they're also often quiet and at rest. They work long hours, with great concentration, while projecting an aura of freshness and enthusiasm...This does not mean that creative people are hyperactive, always "on." In fact, they rest often and sleep a lot. The important thing is that they control their energy; it's not ruled by the calendar, the dock, an external schedule. When necessary, they can focus it like a laser beam; when not, creative types immediately recharge their batteries. They consider the rhythm of activity followed by idleness or reflection very important for the success of their work.
Creative people tend to be both extroverted and introverted. We're usually one or the other, either preferring to be in the thick of crowds or sitting on the sidelines and observing the passing show. In fact, in psychological research, extroversion and introversion are considered the most stable personality traits that differentiate people from each other and that can be reliability measured. Creative individuals, on the other hand, seem to exhibit both traits simultaneously.
Creative people's openness and sensitivity often exposes them to suffering and pain, yet also to a great deal of enjoyment... Being alone at the forefront of a discipline also leaves you exposed and vulnerable.
These three seeming contradictions -- energy/rest, extroversion/introversion, and openness/sensitivity -- are not separate phenomena but are intimately related to one another and along with other traits form the core of the creative performer's personality.
All three are also linked to what Elaine Aron refers to as a highly sensitive personality (HSP). HSP's make up 15-20 percent of the general population and tend to be more aware than others of subtleties, get more easily overwhelmed when things get too intense or there is too much sensory input, are easily affected by other's moods, and are deeply creative and moved by arts and music. Some of the most creative people have very high levels of sensitivity.
A recent study illustrates this point. Psychologist Jennifer O. Grimes went to three major summer metal rock tours, including one of the largest heavy metal/hard rock festivals in the world -- "Ozzfest." Talk about extroverted performers! Grimes interviewed 21 musicians associated with signed touring acts in an isolated room backstage for approximately 20-25 minutes.
Behind the curtain, how did these hard rock musicians describe themselves? Below are some of Jennifer's impressions (for a fuller summary, see here).
Introversion / Extroversion
Openness / Sensitivity
So that's heavy metal rockers. Are they the only performers who show these seeming contradictions? Perhaps other extroverted performers, such as stand-up comedians, show similar complexities.
Psychologists Gil Greengross and Geoffrey Miller compared the personality traits of 31 professional stand-up comedians and nine amateur comedians against the personality traits of 10 humor writers and 400 college students. They found that the comedians (both professional and amateur) scored on average the lowest in self-reported extroversion, even lower than comedy writers!
According to the researchers:
The public perceives comedians as ostentatious and flashy. Their persona on stage is often mistakenly seen interchangeably with their real personality, and the jokes they tell about their lives are considered by many to have a grain of truth in them. However, the results of this study suggest that the opposite is true. Perhaps comedians use their performance to disguise who they are in their daily life. Comedians may portray someone they want to be, or perhaps their act is a way to defy the constraints imposed on their everyday events and interactions with others.
The evidence is clear: for a large majority of performers, in some of the most extroverted forms of performance, there is a great ability to juggle multiple faces and a need for downtime and reflection. New psychological research is showing just how intertwined and prevalent Openness to Experience, flow, abnormal perceptual experiences, and extroversion/introversion contradictions really are in creative people, especially artists. Hopefully by combining methods, such as self-reported experiences, peer reports, and more objective tests, we can shed more light on the many complexities and seeming contradictions found in creative people of many different flavors, and by so doing counter common black-and-white stereotypes about people in general.
Note: For insightful articles on the link between sensitivity and creativity, I highly recommend the Talent Development website. I also strongly recommend Susan Biali's Psychology Today article "Was Michael Jackson a Highly Sensitive Person(HSP)? Are You?".
Acknowledgment: Thanks to Jennifer O. Grimes for kindly sharing the summary of her musician interviews with me.
Follow Scott Barry Kaufman, Ph.D. on Twitter: www.twitter.com/sbkaufman
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I am a performer too and will too get more intimidated if I have to sing for two people instead of a whole concert venue but still I will be "in my element" as my mom used to say.
In the end, I truly don't know who is NOT creative...
We might be surprised...
Violets are blue,
I'm schizophrenic
and so am I...
to my creative brethren and sistren - perhaps a quote from Carl Sagan may help:
"If you want to make an apple pie from scratch you must first invent the universe."
IOW, don't take yourself so seriously...
For example, is there a creative type which have too little control of the ability to stay focussed on a given task long enough to be effective in using their creativity? Successful musician have to learn music first to be able to use creativity as leverage to create their own (and unique) music. May be they should be called high functioning creative types.
I am a scientist and I am wildly creative also. To be successful in my field you have to be able to process massive amount of complex information, dissect the facts available to you, discover what are the relevant questions that will help organize this information and finally imagine ways to test possible answers to these questions. So creative instincts have to be controlled quite well to become a useful tool in this context.
I did have a hard time in school on/off ( C student one year, top a the class the next) and I could very well not have graduated high school. Luckily, I grew up before medicating kids with hyperactive imagination was in fashion, I am not sure if I would have the same abilities if I didn't.
Thanks for the article, it was nice to learn who I should hang out with more...
You just changed my life.
THANK YOU!
What's interesting is that the same process that works so well for creativity is nearly identical to that used for psychic ability. Look up any book on developing your psychic ability and you'll see a process that works just as well for creativity.
Psychic people are known to demonstrate creativity, often in more than one area. Likewise, creative people are generally very open to psychic ability. I think that there is a connection.
Here is a blog post on the characteristics of psychic people.
http://weilerpsiblog.wordpress.com/characteristics-of-psychic-people/