Following partnership offers from LACMA and the National Gallery, the Museum of Contemporary Art just announced its plan to continue as an independent...

The last week has been something of a rollercoaster of news about the Los Angeles museum world. First, after months -- years, even! -- of financial tu...

With the holiday season upon us, it might be a good idea to take a bird's-eye view of the American museum scene, here in California and elsewhere across the country.

Yesterday Robert Storr wrote for HuffPost Arts about "the ongoing fiasco" at the Museum of Contemporary Art in LA, but we urge you to not give up on t...

The urgent task is to save MOCA while it is still possible. Anything less will be a tragedy for Los Angeles in its struggle to match London, New York, and the cities of the future in Asia and the Middle East

A friend of mine said that she thinks the main reasons for LACMA's swarm of weekend museum-goers these days, can be attributed to easy parking and lots of nice outdoor hang-out space. Me? I think it's because of the spectacular attractions.

It's been less than three weeks since Paul Schimmel, Chief Curator of MOCA, was fired and -- despite more than a dozen newspaper articles and an avalanche of reports on the Internet -- no one knows for sure what happened.

The rumor mill has certainly been churning after reports from the LA Times and ARTINFO stated that the Chief Curator of the Museum of Contemporary Art...

Local arts blogger Mat Gleason broke the game-changing news last night that Paul Schimmel, chief curator at the Los Angeles Museum of Contemporary Art...

It's no surprise that this week-long event (through March 11) is a must-see exhibition on a grand and elegant scale, where many of the art dealers are as respected and well-known as the artists they represent.

Los Angeles' Museum of Contemporary Art is hoping to tap into a popular interest in art with a new YouTube channel it's launching in July. Accordi...

At times, publicity becomes the art itself, with the public knowing that it should appreciate some work because "it's famous" rather than because it's good, distorting the entire experience of art.

The core questions animating the MOCA event weren't representative of any shared vision of the world; they were reflective of an ersatz veneration of the art of the spectacle itself.