Jeffrey Deitch brought an original voice to the art scene in Los Angeles. Whether or not you're a fan of his style, we can all agree that he was responsible for a set of provocative, interesting and unexpected exhibitions that enriched our experience of art.
While some of the elements of the art opening haven't changed, what appears to separate Mr. Restoin-Roitfeld from the past, and even the present, may be his seemingly effortless marketing strategy and business model execution.
The Los Angeles County Museum of Art has quietly taken the lead in this city as the most interesting art museum. The Norton Simon still has, picture for picture, by far the best collection. The Getty still has the most money. MOCA and the Hammer are in a tussle for the hipness crown.
Like conservatives who write pleasant histories that ignore segregation and child labor, Deitch-bashers speak of the good old days at MOCA that were more insider and downright icky than most anything old Mitt Romney could be hiding.
The urgent task is to save MOCA while it is still possible. Anything less will be a tragedy for Los Angeles in its struggle to match London, New York, and the cities of the future in Asia and the Middle East
A friend of mine said that she thinks the main reasons for LACMA's swarm of weekend museum-goers these days, can be attributed to easy parking and lots of nice outdoor hang-out space. Me? I think it's because of the spectacular attractions.