Plucking the dialogue pretty much verbatim from his best-selling book, Steinbeck handily transferred his tale to the stage. Again George and Lennie -- traveling together like the scores of other bindlestiffs scouring California's Salinas Valley (Steinbeck's version of William Faulkner's Yoknapatawpha County) for work -- arrive at a farm for barley bucking activity.
With Washington's return to The Great White Way in the revival of Lorraine Hansberry's 1959 A Raisin in the Sun at the Barrymore, he does a tremendous favor. Once again, as he did with his limited-runs Julius Caesar and Fences, he brings large audiences--especially African-American audiences--to a theater and to theater in the larger sense.
The flag, as a symbol of the nation, is not owned by the administration in power, but by the people. We battle over what it means, but all Americans have an equal right to claim the flag as their own. Progressives understand that people can disagree with their government and still love their country and its ideals.