Has this happened to you? Have you, whilst attempting to read an actual, dead-tree novel or lengthy magazine article, inadvertently swiped at the page with your finger, expecting a Delete tab to appear?
Last week, some of America's top poets answered five questions from a pool of questions offered by readers of poetry for National Poetry Month. In this second part of the series, our poets tackle five more of their questions.
I have experienced my share of intolerance and "chin-wagging" from adults whose world perspective is limited. It is my goal to populate the world, as best I can via education, with the antidote to these kinds of die-hards and dogmatists.
Cuban and otherwise have brought its past to life with stunning and compelling narratives. There is no more immersive way to experience a country without traveling there than through their stories and sagas, their collective imagination and memory.
Contrary to Common Core-aligned curriculum that declares "free enterprise the pillar of the United States economy," I cannot find free enterprise described in any of the "founding" documents, or imbedded in the Constitution, of the United States.
Have you ever read Dante's Inferno? Don Quixote? How about Around the World in 80 Days, or Crime and Punishment? If you've read them, you know just how memorable and touching the experience of reading a literary masterpiece can be. But have you ever read them... in the original?
Mavis Gallant died recently at the entirely respectable age of 91. On top of the lack of maternal love and affection, Gallant endured other unimaginable emotional assaults and upheavals, realities that underlie her fiction.
Programming began to change my way of looking at poetry. To my surprise I found that writing code reminded me of writing poems. In the act of creation, you encounter the same tension of raw, boundless possibility against disciplined construction.
Each spring bibliophiles and Brando buffs flock to the Tennessee Williams/New Orleans Literary Festival to pay homage to the late great playwright, who penned A Streetcar Named Desire in what he called his "spiritual home."
Indeed, literature can get very compelling when depicting crime and (sometimes) punishment, to reference the title of a certain Russian novel. And when fictional works depict that, all kinds of stuff can come up.