The rise of feminism corresponds roughly with the expansion of the artworld to include women's production. This is a history that began predominantly in impelling women's art as an expression of the identification of women apart from men.

Bill T. Jones has a long history of pushing envelopes and challenging audiences. In the 1970s, when he was getting his start in New York's downtown da...

NEW YORK, NY.- After becoming an internet sensation, Marco Anelli's powerful portraits of sitters in the historic 2010 Marina Abramovic performance at...

Looking back at the last decade crystallizes my belief that the best art does something more than interconnect with the events around it. It actually contributes to events that have yet to happen.

As 2010 winds down and we begin looking forward to 2011, we thought to look back at the highest highs and the lowest lows of the past 10 years. Two es...

1) Tino Sehgal's This Progress at the Guggenheim Museum An exhibition that involves strolling the circular ramp of Frank Lloyd Wright's iconic New Y...

The second annual Rob Pruitt Art Awards were held last night at Webster Hall in New York, in association with the Guggenheim Museum. The visual art w...

Certainly the strongest work exhibited in New York in 2010 was overwhelmingly by women, to the extent that in every relevant category, it was work by women that claimed priority.

From modern masters to grafitti artists, established performance artists to anti-establishment exhibitions, London to Los Angeles, this week on HuffPo...

WHO: Marina Abramovic WHEN: Until November 13, 2010 WHERE: Lisson Gallery 52-54 and 29 Bell Street, London, NW1 5DA WHY: Lisson Gallery is pleased ...

© Antony Crook It's only autumn and we're already gearing up for the next edition of the Manchester International Festival (MIF), among the only...

The encounter between artist and audience is far more ambiguous and problematic in the art world than in the entertainment industry in spite of about a half century of critical and art world exertions to that distinction.

"To be a performance artist, you have to hate theatre. Theatre is fake: there is a black box, you pay for a ticket, and you sit in the dark and see so...