So as I see it, if you are trying to get rid of this symbol, you need to recognize that it is not something from the outside that must be extinguished and pushed away. Rather, it is at the heart of our own culture.
It is both fascinating and disturbing to gain a peek back in time, with the grand benefit of history and hindsight, and the wonder of it all. Unfortunately -- unforgivably -- and despite great strides across the land and around the world, anti-Semitism continues to rear its ugly head to this day.
The release of Captain America: The Winter Soldier this month on disc and download reminds of what a terrific film it is. With some competition from its delightful Marvel Studios sibling, Guardians of the Galaxy, it's the best pop movie of the year.
Who are these guys, why are they so awful, and how can we account for their success? Many are trying to find specific answers, a few resort to racist slurs, but I hope to get to the heart of the matter by framing the questions in evolutionary psychology.
I certainly hope the murders in Kansas City are the responsibility of a raving lunatic. Even if so, the evidence elsewhere should give us pause. And where Nazism raises its head, we should be there in opposition.
In the 1920s, when my mother was still a child, the family, like many members of the Hungarian Jewish aristocracy, converted to Christianity, some out of conviction, others out of an eagerness to demonstrate their nationalistic loyalties..
Human Smoke is chock-full of small, often powerful but unrelated scenes. What you get is a Jackson Pollack painting in audio: a lot of vivid colors and absolutely no shape to any of it. It's a helter-skelter of disjointed events and it's up to us to connect the dots.
What's to be done about someone whose art is or seems to be so great, but whose prejudices were unquestionably contributory to great evil? How do you continue to appreciate art once aware of the enormity it was accessory to?