"I'm from Texas and will always be from Texas, and if I ever break even, I'm moving back. It's a wonderful place to be from. There's a lot of history there and a lot of stuff that you know about and nobody else knows about."
Fifty years. Nine hundred artists. Two thousand grants. At its most succinct, this is the story of the Foundation for Contemporary Arts (FCA), the unique and timeless organization established by Jasper Johns and John Cage in 1963.
Twombly does not exist outside of visual art, like pure Dada, which is essentially conceptual. He subscribes to the visual tradition. This gives him the affinity and perspective to pull a Korine with it, to scrape off the flesh until the bones of grammar emerge.
Fred Kaplan's enlivening 1959: The Year Everything Changed, argues that the '50s -- a decade that saw the invention of the microchip and the creation of explosive art -- has been misunderstood in hindsight.
For me, that is true art. The artist becomes a kind of healer/shaman; and we who finally have access to these miraculous pieces, become initiated into worlds which take us places we have never been before.