At a time when "downtown" white venues were off limits to blacks, the Apollo certified success for African-American performers. And it has been at the forefront of the latest trends in the black community.
I was privileged to meet Sammy Davis, Jr. in the mid 1950s and had a friendship that deepened over the years until his death in 1990. Below, in his own words, are Sammy's recollection of that momentous day in Washington.
A restored print of the soul-throttling film-noir, which concerns an outlaw couple who bond over their mutual affection for artillery, provided a jangling opening night choice for UCLA Festival of Preservation 2013.
The notion of debating policy in the public forum of a convention became a quaint relic of the era before television and before the Vince Lombardiazation of American politics, before winning wasn't everything but the only thing.
Find me a few stars of stage, screen and song with the principle and courage that Frank Sinatra showed when he stood up for his brother Sammy Davis Jr. in the 1950's and you can change the world and help end this cold season of hardship and discontent.
I forever owe Detroit a huge debt of gratitude, as does anybody who's loved contemporary music this past half century. Before we bailed Detroit out, Detroit bailed us out of a lot of boredom and bad moods.
Written by the great Richard Rogers and Lorenz Hart for the 1937 musical Babes In Arms, "My Funny Valentine" is one of those genuinely timeless standards that put the Great in the Great American Songbook.