If Behind the Candelabra is his last film (yes, film) it is certainly, and fittingly, his crown jewel. Though Liberace loved the Oscars, he'd certainly accept an Emmy, for it to is golden, and a trophy of acceptance.
The two souls of cinema coexist in Cannes: independent cinema and commercial cinema. And this magical equilibrium must be preserved, one embellishing the other, making it sing the way a fine wine inspires a delicious dish. Who, then, will win the Palme d'Or this year?