If McCarter Theater Artistic Director and Resident Playwright Emily Mann's acceptance speech at the Tonys for Vanya and Sonia and Masha and Spike as best play was gracious, so also were the circumstances under which she came to give it.

NEW YORK — The reviews are in: It was a great Tony Awards. The dancing was inspired, the singing top-notch and the humor sly – and that's ...

I feel pretty confident that my favorite play of the year, Vanya and Sonia and Masha and Spike, will win Best Play and my favorite musical, Matilda, will win Best Musical. (There is a groundswell of support for Kinky Boots.)

The producers of the NBC hit, SMASH should give James Latus a call to learn how it's done.

Thanks to the incredible performances by Tracy Letts and Amy Morton, George and Martha are each other's equals. Both loathing and longing for each other, the two continue to battle until all punches are pulled, all secrets exposed and this exhausting and invigorating production's curtain has fallen.

Will everyone who saw the original production of Edward Albee's Who's Afraid of Virginia Woolf? please raise his or her hand? Just what I expected: Not that many hand-raisers left to acknowledge their presence at an historic theater event.

The guiding principal of this Steppenwolf production of Who's Afraid of Virginia Woolf?, directed seamlessly by Pam MacKinnon, is to return to the text, avoid grandstanding and shoot for realism.

The latest production of Who's Afraid of Virginia Woolf?, opened Saturday night at the Booth Theatre in NYC exactly 50 years to the day of the play's original Broadway opening on Saturday October 13, 1962.

EDWARD ALBEE, 84, inches his way through his apartment by cane, settling into one of many leather chairs that fill the Tribeca loft with its ove...

Yesterday marked the first preview of the 50th anniversary production of Edward Albee's "Who's Afraid of Virginia Woolf." Starring Tracey Letts and Am...

His wit and elegance as sharp as ever, the 83-year-old Edward Albee recently regaled a huge crowd in the NAC's opulent Victorian mansion on Gramercy Park.

Kushner has produced a play also reminiscent of Arthur Miller at the top of his form, a play about which many ticket buyers will conclude he's equaled Miller's best.

With all the humiliations that Elizabeth Taylor endured at the hands of men both onscreen and off--humiliation that she has been popularly accused...