How many authors of commercial fiction do you know who get huge, glowing profiles in the New Yorker? Well, Jennifer Weiner just did, as she continues to ride her successful hobbyhorse about not getting respect.
Weiner isn't just expert at giving her reading public what it wants, she's a master at creating controversy and making headlines by attacking noted authors in the news. It's a canny strategy guaranteed to boost her already high public profile. Midlist authors, take note.
Seeing your book cover for the first time is like waiting for that guy from Match.com to show up at the restaurant. You've laid out your expectations and supposedly so has he. But will he actually look like the date of your dreams?
When did writers start being brands? This question led me through a maze of other squirrely musings. If you write a memoir, are you forever a memoirist? What happens if a thriller writer dares to try his hand at romance?
I've read great books, good books, mediocre books, and books so awful they damaged my eyes, and it wasn't genre that determined their ranking. Which formative reading hours would I have lost if the book police determined my choices?