Sculpture
Museum educators are grappling with the future of art history's problematic faves.
Titus Kaphar's work for the Princeton & Slavery Project tells a story of buried history.
Princeton is hardly the first college to reckon with the racial injustice that defined its founding, and to seek a kind of rhetorical cleansing.
The artist behind the work calls the decision "total hypocrisy."
WHAT'S HAPPENING
At 80 years old, the artist is being honored with her first museum retrospective.
With her work on view at the Museum of Sex, the sculptor grapples with body dysmorphia and fear of femininity.
The attempted stunt was apparently for a photo.
People across the city will experience the effects of "Good Fences Make Good Neighbors."
The city's cultural institutions are still reckoning with that summer, half a century later.