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04/28/2017 12:13 pm ET Updated Apr 28, 2017

John Ridley's New Film Revisits The LA Riots At An 'Exceptionally Important' Time

The Academy Award-winning director talked to HuffPost about 'Let It Fall.'
Ridley's new ABC News docu-flick includes both archival footage and original interviews chronicling the events leading to the
mark downey via Getty Images
Ridley's new ABC News docu-flick includes both archival footage and original interviews chronicling the events leading to the uprising in L.A. county on April 29, 1992.

The Rodney King Riots” didn’t start with Rodney King, at least according to John Ridley’s new film “Let It Fall: Los Angeles 1982-1992.”

Written and directed by Ridley, the ABC News docu-flick includes both archival footage and original interviews with local LA residents and officials chronicling their experiences in what became an uprising in L.A. county on April 29, 1992.

It’s been 25 years since the 1992 acquittal of four police officers involved in the brutal beating of Rodney King, which sparked the week-long civil disturbance, injuring over 2,000, killed more than 50, and estimated over $1 billion in damages to buildings in the area. The film traces back a decade before the massive unrest and examines the deep-rooted effects of racial tensions in the city.

In an interview with HuffPost, the Academy Award-winning filmmaker said that it’s “exceptionally important” to showcase a methodical case study of the social-political issues that plagued Los Angeles in the 80s and early 90s, especially now.  

Ridley's film marks ABC News’ first theatrical production and release.
Maarten de Boer via Getty Images
Ridley's film marks ABC News’ first theatrical production and release.

“We find ourselves in very similar circumstances. And it becomes more and more clearly every day that there’s systemic issues that are pervasive and continued in many cities and many places,” he said. “I do think it’s very important as well for people not to walk away from this documentary assuming that they have the answers for things that are happening in places like Ferguson or Baltimore, or elsewhere. All of these spaces and people deserve a very particular examination.”

“Obviously there’s similarities, obviously there’s systemic issues, but our solutions, our engagement really need to be tailored for each individual community,” he continued. “So I hope that in watching this film people will become more aware of issues, but within that I hope they have a renewed desire to engage their own communities and their own spaces individually.”

Beginning with the 1982 chokehold death of 20-year-old African-American James Mincey Jr., the film delves into the various policies instituted by former LAPD police chief Darrell Gates. During the length of his 14-year tenure as police chief, Gates was often criticized by black and Hispanic residents for his aggressive tactics to combating crime in Los Angeles. 

What we want to express to individuals is that this was not one moment, not one event, not one incident that happened to one person. This was something that built up over time." John Ridley

Ridley’s film explores a direct correlation between the implementation of LAPD’s chokehold submission tactic, the violence birthed from the city’s crack-cocaine era and the militarization of the police force as contributing factors that eventually provoked the ‘92 riots.

“People may not see the connectivity, but when we line up these events, with the benefit of hindsight as a subject in the documentary says it’s like lining up dominoes and sometimes at some point you tip one and they’re all gonna fall,” Ridley said.

“And that goes to the title itself. What we want to express to individuals is that this was not one moment, not one event, not one incident that happened to one person. This was something that built up over time. It was a cascade effect. It was very important to see how these incidents seemingly unconnected were hyper connected,” he added.

Of course, Ridley’s film is just one of many events and projects ― including those by Spike Lee and John Singleton ― that are scheduled to coincide with the 25th anniversary of the acquittal.

And in addition to the 92-minute abbreviated ABC network broadcast of “Let It Fall,” the film has also received a bi-coastal theatrical release of a two and a half-hour extended version, making it ABC News’ first theatrical production and release.

An argument between police and civilians preceding a rock and brick throwing incident at the corner of Vermont and 1st Street
Kirk McKoy via Getty Images
An argument between police and civilians preceding a rock and brick throwing incident at the corner of Vermont and 1st Street on April 29, 1992 in Los Angeles, California.

While Ridley admits showcasing two versions of the project is “a storyteller’s dream,” he said each film will offer a uniquely personal and urgent perspective on the ’92 LA Riots. 

“This is really about creating a space where people can recollect with very personal memories, very personal experiences,” he said. “The rawness of their emotions across the board was really surprising. It’s 25 years later. It’s a quarter of the century, but so many of the individuals that shared their stories, we’re telling these stories as if these events had happened just yesterday.”

“So in that regard, I think that’s how we tried to differentiate ourselves,” he continued. “This is a very, very personalized narrative of these events from people who lived through them, were intimately involved in them, and have chosen to share them with us, and by extension share them with an audience.

“Let It Fall: Los Angeles 1982-1992” airs April 28 on ABC at 9pm/est.

HuffPost

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